Dougster
Well-known member
The approach claims that any data from 192 files that is not used is musically unimportant by the standards of the most recent psychoacoustic research that drove MQA development in the first place. MQA also seeks to ensure the recording chain preserves timing information, from studio to listener. For older recordings they also have analysed the specific deficiencies of earlier equipment in regard to timing aspects and claim they are able to correct ( to some extent) for these deficiencies. So there is more to the concept than outlined in your last post. It is only this complete journey from recording studio to listener that comprises MQA. The key issue obviously, is whether the process is audibly better. For me I prefer to listen rather than dismiss it altogether on theoretical grounds. I do share your scepticism to some extent, however, and in any situation where a development is at odds with some of the science, how should we respond?
For me it behoves me to do blind testing with the help of a pal. If it scores ...fine I shall enjoy it via Tidal...at no extra cost, as opposed to inflated HiRes prices. If not, I'll move on and keep enjoying the many great formats we already have.
I will take it as the latter ...... Cheers
For me it behoves me to do blind testing with the help of a pal. If it scores ...fine I shall enjoy it via Tidal...at no extra cost, as opposed to inflated HiRes prices. If not, I'll move on and keep enjoying the many great formats we already have.
Not sure if this was meant aggressively or as good natured banter? Can't see your expression Justin..Call yourself an audiophile?
I will take it as the latter ...... Cheers
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