About time I added to this thread:
Linn Nexus -> Aerius -> Ascent.
Bit blown away as to how much better than the Aerius the Ascent turned out to be. Big is good. But the ESL panel seemed to work so much better than the smaller Aerius panel, even though its the same tech.
Addition of a Descent helped a lot on the bottom end. I don't think there is a right setting for it, though. Usually, it is set to 25Hz level 3, but if a recording needs some weight, that can easily change to 40Hz level 5. Thump, thump, thump... structural damage
:devil:
Bill Beard BB100 50 Watt tube amp -> Air Tight Passive Pre/Air Tight ATM2 -> Austria Analog 211 monos.
The 211 monos were a bit of a risk, really. But over the years I had heard many amps at many shows, and I always thought the 211/845 based amps to be the best I had heard. Gamma Acoustics used to make ace ones, and Unison Research too (they still do). The Audionote Ongaku was incredilbe as well. So when I saw my amps pop up and ebay Germany, I went for 'em. Massive upgrade on the ATM2 - massive smile on my face when I first powered them up. "You did good, kid - all that effort at shows
has paid off!"
Tuners: Mission Cyrus FM7 -> Scott 350 -> Sansui TU-9900 -> Musical Fidelity A5 -> Sansui TU-9900 -> Scott 350! Round and round in circles
!
Recent Michell Gyrodec upgrades.
I have owned way more than is listed here... biggest upgrades Aerius-> Ascent and Air Tight to 211 monos.
If you were to ask me which is the
best product, I would probably respond with the Michell Gyrodec. It's 18 years old, though updated/upgraded in parts, and I dearly love it. The Ascents aren't too bad either