Sambob2
Well-known member
Well it was not a sunday morning but this was a pleasent surprise once I listened to it for the first time. I obtained this record with a few others from my girlfriends grandmothers collection who passed away a little while ago.
This recording was from 1966 of Herbie Mann live at the Newport Jazz Festival in Rhode Island. My favorite track on this record is Mushi Mushi, I'll tell you if your head ain't boppin and your feet tapping away after the first half minute of this track it will be by the second half minute and thru the rest of the 5:45.
The rest of the album is pretty good to, four tracks total and a total time of about 34 minutes. Surprisingly the recording is pretty good for an older live recording with a lot of spacial definition. Somehow the record is in excellent condition. There was a slight indication, only minimal, for the last few minutes that the left channel exposed as the cartridge tracked the inner grooves and chattered some but only a small amount as though the player used at that time had no or a poorly adjusted anti-skating wearing the undulations of the groove.
The only thing I would like more of is a more discrete close miking technique of the drums for more impact but I guess this is how some jazz recordings were recorded especially 40+ years ago!
This recording was from 1966 of Herbie Mann live at the Newport Jazz Festival in Rhode Island. My favorite track on this record is Mushi Mushi, I'll tell you if your head ain't boppin and your feet tapping away after the first half minute of this track it will be by the second half minute and thru the rest of the 5:45.
The rest of the album is pretty good to, four tracks total and a total time of about 34 minutes. Surprisingly the recording is pretty good for an older live recording with a lot of spacial definition. Somehow the record is in excellent condition. There was a slight indication, only minimal, for the last few minutes that the left channel exposed as the cartridge tracked the inner grooves and chattered some but only a small amount as though the player used at that time had no or a poorly adjusted anti-skating wearing the undulations of the groove.
The only thing I would like more of is a more discrete close miking technique of the drums for more impact but I guess this is how some jazz recordings were recorded especially 40+ years ago!
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