Ethan Winer
Well-known member
Yet the Aerius, in my book, was and is a very good sounding speaker.
This is a great point. There's accurate and there's good sounding, and the two are not necessarily the same. Recording engineers routinely tweak the "frequency response" of instruments by applying EQ to make them sound better than was captured by the microphones. Likewise, a loudspeaker could be made "better" sounding by diddling the response. Personally I'd rather have more accuracy, because a skewed response that flatters one recording may make another sound worse. So with flat speakers at least you get as close as possible to the mix engineer's intent.
I think the essence of what you were saying was that what happens below it isn't that important. Maybe you didn't mean it to come across as I perceived it. But I think a good bottom end is pretty important.
Ah yes. I was saying that bass trapping below 60 Hz is less important than at higher frequencies. If a movie explosion booms a little louder or longer, it's not as audibly damaging as peaks and nulls and ringing at higher bass frequencies. The "speaking" range for bass instruments is more like 100 to 500 Hz.
Being an engineer, I have sympathy for Ethan's viewpoint. All we have is science to be objective about audio. As you say - where are these other parameters that make audio so mystical? At the end of the day, it's all about moving air and how a particular room will react to it. And that ought to be and is measurable - at least, you would have thought so.
Exactly.
This is when ears and human perception inevitably creeps in, and things start to get very difficult indeed.
Yes, but your perception one day might be very different the next day. Perception varies moment by moment, where test gear is highly repeatable. I don't see why loudspeaker frequency response can't be mapped to your preferences either. Everyone reacts favorably to a boost in the fullness range around 100 Hz, and likewise prefer a cut in the harshness range around 3 KHz. Mastering engineers routinely cut harsh frequencies to make a recording sound better and less irritating.
Unquestionably, the best damping is obtained by holding the palm in the centre of the pane. Why, therefore, would you want to place the dots in the corners?
I had that same thought yesterday after I posted, and I planned to bring it up today if you hadn't first. A window barely moves at all near the edges, so that's the least likely place to apply a "damping" product.
--Ethan