Is the panel really larger or just Summit sized?
Is the panel really larger or just Summit sized?
Yes at CES they had a Summit next to a Rennisaance the Rennisance was larger with a laager panel. Personally I wou say the Rennisance looked sturdier. I'm not condemning th Summit just saying for $25k I would expect a sturdier build
Gary
I like the product design but do not like the price. $25k is too much. The first generation of ML though expensive was less expensive
then successive generations. i understand whether a item is expensive or not is a relative concept. A competitor company has managed to not let
the price of its products increase too much. Magneplanar.
I spent a good bit of time with the Renaissance ESL 15A. Superficially, and from the front, it looks a bit like the Summit but with a much wider CLS panel. From the side, it has a much deeper woofer cabinet (needed for 2 12" subs and amplifiers). Sonically, the Venetian hotel rooms are a little better than the "bat cave" but have a number of room anomalies that I am not sure were completely corrected by the ARC software. That said, the sound was pretty sensational and these guys, like the Neoliths last year, while big, disappeared in the room. About the concerns for $25K price point. M-L is not aiming at the Neolith buyers but at those who either want some of the virtues of the CLX with better bass (the CLX will still stay in the line) or a substantial upgrade over the Summit X. If I did not already have the CLXs and a pair of Balanced Force 212 subs (retail easily above the Renaissance and much more work to set up in a listening room), I would give these guys serious consideration. While it is easy to opine about price and looks without experiencing these speakers, it would behoove those wishing to upgrade their ML systems to at least audition them at their dealers when they start shipping this spring.
Anyone any idea why it is called the 15A? Any logic behind it?
Awesome DSP application. It's been some time since its been possible to input a voltage signal to our speakers that is sans audible distortion; it's about time to start correcting all the distortion that speakers add to the equation."For the first time in an electrostatic speaker we are introducing the integration of exclusive Anthem Room Correction (ARC) technology. By engaging ARC, you can experience performance on par with MartinLogan's audio test lab.
ARC measures sound output in your room and compares it to optimal response curves that account for spatial anomalies. The advanced algorithms of ARC then effectively remove the anomalies, leaving only the ideal standard: transparent, natural-sounding performance in the listening space."
Room correction in an audiophile product?!!??
Why not, if it works! Speaker/room interaction anomalies can really degrade fidelity, no matter how expensive the speaker. DSP/Room EQ is the wave of the future (pun intended).
Awesome DSP application. It's been some time since its been possible to input a voltage signal to our speakers that is sans audible distortion; it's about time to start correcting all the distortion that speakers add to the equation.
I too use (limited) DSP with my Sanders setup but my excitement lies moreso with the fact that we are on the cusp of seeing it offered by mainstream speaker manufacturers who I expect will be jumping on board and supplying not just "ideal" response curves but built-in DSP ways to correct for said ideal, after the room messes it all up from said ideal. Times are exciting.With respect, gentlemen, your sarcasm detectors are busted. I've been the poster child for the application of SotA DSP for going on 7 years. First with a TacT pre/pro, and now using a Trinnov MC.
JBL has been doing that for a while, using Crown amps with built-in DSP and/or BSS processors to first correct a given speaker model to ideal anechoic behavior by applying model-specific filter sets, and then to provide tailorable target curves via ARCOS.I too use (limited) DSP with my Sanders setup but my excitement lies moreso with the fact that we are on the cusp of seeing it offered by mainstream speaker manufacturers who I expect will be jumping on board and supplying not just "ideal" response curves but built-in DSP ways to correct for said ideal, after the room messes it all up from said ideal. Times are exciting.
Indeed, such an ideal is the way of the future I suspect. Once more mainstream speaker companies start supplying such target curuves, and include DSP solutions for DRC, we will be all set. BTW, I have a QSC PLD 4.3 DSP and have run it on my CLSes with great results.JBL has been doing that for a while, using Crown amps with built-in DSP and/or BSS processors to first correct a given speaker model to ideal anechoic behavior by applying model-specific filter sets, and then to provide tailorable target curves via ARCOS.
But yes, it is great to see ML applying this kind of technology to a new, "audiophile" product.
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