Nice that the quality of the reproduction was appreciated, but I don’t think it did much to help the cause of reasonable high-end, vs audiophilia-nervosa, which Mike suffers from acutely.
Anytime anyone seriously discusses the benefits and differences of multi-kilobuck power cords, even my BS detector goes off.
It’s audio-jewlery, period.
Might as well believe a high-society woman claiming to be a better person when she wears her $20K diamond necklace. She might look sharp, but it does not fundamentally change her.
Oh come on Jon, isn't that sort of like the pot calling the kettle black?
I mean, I know you don't believe in differences in cables, and you prefer digital to analog, but the fact is that you and Mr. Fremmer are using different tools to scratch the same itch (as are most of us here).
The various Driveracks and software packages and DSP's and Audessey calibrations you write pages on here spell anethma to a lot of audio purists. For instance, I tried the Lyngdorf processor in my system a little over a year ago and while there was a definite change it what I heard, I felt it robbed the very soul out of my music. I absolutely hated what it did to the sound. It doesn't mean that those of you who use such and similar devices are barking up the wrong tree - you're obviously happy with the effect they bring to your systems, and I'm happy for you.
When Mr. Fremmer discusses the differences in multi-kilobuck power cords he is at least speaking from a position of his experience with them. I can't talk about those differences because I have not listened to those particular cords myself, so any opinion I might have would be speculation. I do know from my experience that I can hear the differences between many things that many folks would say are impossible to differentiate, so the
possibility of these differentiations is apparent to me.
Folks outside of our circle would say that
your system is way over the top, that it would be impossible to justify the time and expense you have invested in your system and room. Personally, I get it. I understand what that pursuit is all about, because I'm on the same journey (although taking a different path). And frankly, Fremmer is one of the trailblazers.
I've had the pleasure of meeting him 3 times at RMAF over the years. One time we had a wonderful conversation about a stunning DaVinci tonearm we were both listening to in the same room at the same time time. Another time we spend about a half hour browsing through the record racks together turning one another on to some of our favorite music. He might be a whack job, but he's my kind of whack job, the guy is absolutely passionate about music - just like you and I, and pretty much everyone else on this site.
And please don't take this the wrong way, I love you like a brother and am
dying to hear your system someday. I'm just saying that the very fact that we frequent this site and spend the time and money we do on this hobby pretty much puts all of us in the same bracket.
Here's to us...long live the audiophools!!