Get a load of those ugly curtains....and combined with that carpet - upchuck city !
Awesome stuff Justin, keep it coming. I just love the Trans-Atlantic show coverage we've go going on the site; probably better than what any of the "big boys" are doing!
Well it's probably more comprehensive than the mags - whether my prose is better is another question I seem to be putting a bit less effort into this report than other previous efforts, but hey...
Anyway, here's a TT using a Soundsmith strain gauge cartridge. This is interesting, and worth a read up on, so there's some more info here: http://www.sound-smith.com/cartridges/sg.html
Not sure what the TT is, actually. Also, the volume was very low in this room - too low to make any conclusions on the cartridge. The rep was talking about being at RMAF to some chap, though
Pictured speakers again unknown... I didn't get the chance to talk to the rep to find out what they were. Nice overall tone at the low volume setting, however.
The thing that amazes me about both shows is the number of new (to me, at least) turntables (and at high prices too).Awesome stuff Justin, keep it coming. I just love the Trans-Atlantic show coverage we've go going on the site; probably better than what any of the "big boys" are doing!
Hey Justin, I saw the Soundsmith guys yesterday at the show and I agree, it's an interesting approach. They've been at RMAF several years running now and seem to be sounding better each time. Their pre-amp is also looking better this year. It looked pretty "clunky" and cobbled together the first time I saw it.
That turntable is a Gabilier. I've got some shots of it I'll be uploading in my RMAF coverage. It's made here in Colorado. The speakers are Alon's, but I don't recal the model.
The thing that amazes me about both shows is the number of new (to me, at least) turntables (and at high prices too).
here's a TT using a Soundsmith strain gauge cartridge. This is interesting, and worth a read up on, so there's some more info here: http://www.sound-smith.com/cartridges/sg.html.
Justin, my listening experience was good in the Soundsmith room listening through the strain gauge cartridge (Knopfler / Dire Straights - "Brothers in Arms") my thought recall was "airy and open", tt was the Teres model 440, arm was the Illius.
Posted for no other reason than eye candy, like quite a few of the other posts in this report. No harm there, I guess.
Here was a great sounding room - Aspara H1 Horns fed by Pure Sound valve amps and a Technics TT running an SME V and an Audio Note IO. I felt it bettered many more "expensive" rooms.
Wilson Sasha and Krell Evo 600s.
Entrance by ticket only. Then you get treated to a talk via a Krell rep, followed by a Wilson rep. The Wilson rep was a bit too much for me. I found him a bit pretentious to be honest, as he introduced each musical piece, proclaiming pretty much how great it'd sound through this system.
The only trouble is, to my ears, it just didn't. After 15 minutes of BS and lack of any sign of an enjoyable performance, I simply got up and left.
So what precisely was the problem with the sonics? Well, the tweeters sound pretty metallic to me, and the Krell's simply don't help here. Granted, you do get good, solid bass performance, and there's no doubt the imaging is very good too, but the whole system just sounded sterile and uninvolving. Artifical rather than natural. Synthetic rather than realistic.
So, just like last years show where I heard a Krell Evo/Sophia II system, this just failed on me. Serious waste of money.
The only time I have heard Wilson's sound good is driven by big ARCs many years ago. So I believe they can sound good - or at least better than this, with the right amp choice.
My opinion only, if you catch my drift.
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