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Robin said:Still researching though. I just wish CD / SACD player manufactures, in their written information, would make it easier to know whether or not a player has volume control or could drive amplifiers. It's not a lot to ask really.
Moo said:Have alook at what NuForce make of it:
http://www.nuforce.com/products-intamps.htm
I totally agree with Spike in regards to Dan Wright. Great customer service along with a great product. Give him a call and tell him your needs and he will be upfront and honest with you on "if" something can be done, and how much it will cost. Turnaround time is also excellent. I highly recommend Dan Wright for his mods and products.Spike said:You should give Dan Wright of ModWright a call regarding either the Denon or Sony with Signature mods. His signature mod is a derrivation of the SWL linestage so it's akin to having a simplified preamp stuffed inside the player. Given that this is the case, it should not be too hard to add an attenuation for volume control. Talk to Dan to see how he can accomodate for your need.
DTB300 said:I totally agree with Spike in regards to Dan Wright. Great customer service along with a great product. Give him a call and tell him your needs and he will be upfront and honest with you on "if" something can be done, and how much it will cost. Turnaround time is also excellent. I highly recommend Dan Wright for his mods and products.
Dan
Robin said:Tim,
I'm looking to build an audio system only. This would be gradually built in easy stages. This proposed future music system of mine would be separate from my HT system.
I plan on beginning with two mono block tube amplifiers driven directly by a powerful source CD/SACD player only. This basic audio equipment would be the basic gear powering Summits or some future, next speaker-up from the current Summits, that is if ML actually produces a bigger ESL speaker...
Then later to complete the system, add-in a TT with phono tubed pre-amp (for phono only, not for CD/ASCD - as this would remain separate and direct). As I envision my music system would be a strictly music listening in a dedicated music listening room exclusively.
Spike,Spike said:Robin,
You should give Dan Wright of ModWright a call regarding either the Denon or Sony with Signature mods. His signature mod is a derrivation of the SWL linestage so it's akin to having a simplified preamp stuffed inside the player. Given that this is the case, it should not be too hard to add an attenuation for volume control. Talk to Dan to see how he can accomodate for your need.
Spike
Yes, I plan on having a switching device. Kinda like a "Y" cord connection, with the mono block amps at the end with the CD/SACD and phono amp/TT as choices to switch to.MiTT said:I see...
So then your plan will be to get a tubed pre-amp so you have volume control for phono (or hey; just get the Asthetics Io Signature with a volume control - only about $12,000.00) and then you will plug and unplug cables at the amplifier when you want to switch sources?
Is your concern that a pre-amp that can function as both a volume control and source switch will color the sound too much? Not trying to play devils advocate as much as I'm curious. There are any number of very good pre-amps out there that would negate the need for a volume control at your silver disc source.
Robin said:Yes, I plan on having a switching device. Kinda like a "Y" cord connection, with the mono block amps at the end with the CD/SACD and phono amp/TT as choices to switch to.
Yes, the sound I've auditioned using the source driving the amplifiers directly was totally un-colored and just beautiful. That's what I want for my CD/SACD source...
I realize when I add phono later, I'll need a phono amp. Yes it will be tubed as well but switched into the path when listening to phono and switched out for CD/SACD listening. If I could get Dave Wright to make a TT with volume control, I'd use that directly to control the amplifiers. Please understand, I really do not want to use a phono pre-amp. because it is just too much color, too much in the path adding things of the music. I'm looking for pure direct as possible source to amp. to speakers for a truly wonderful musical sound. I've auditioned CD/SACD sources this way, but I don't expect to ever see a TT with volume control though I've never looked... Do they even make a TT with volume control? Probably not... Oh well. I hope this gives you a better idea of what I'm looking for in my system. Any thoughts?
Yes, I agree with Spike, and this was where I was heading with my questioning as well. A GOOD pre-amp will always sound better than a "Y" connector or switch box, and give you the flexibility to control switching and volume functions. Another option would be to use a passive linestage; there are a number of them out there. The latter option would still require some sort of phono stage between the turntable and passive linestage.Spike said:Robin,
Adding TT into the mix in the future just changed the equation quite a bit. In this case, you'll need a good full-fledged pre-amp with phono capabilities. The Cary SLP-98, ModWright SWLP-9.0SE (Note the SWLP designation for phono), SupraTek, Aesthetix full-function pre-amps readily come to mind. I'm sure there are a host of others that I have not mentioned. The rationale for having a centralized full-fledged preamp is that you'll need a good high-quality box serving as source selector and volume control for both digital and phone sources. Having an Y-connector in the middle of the signal chain is NOT the answer. The quality of the Y-connector is questionable, plus that you'll need to duplicate the analogue output stage: 1 for the digital source (built-in via ModWright mods on the SACD player) and 1 to accomodate for the phono source. I just feel that it's much better to go with a well-designed centralized preamp to handle source switching, pre-amplification for the phone stage, and analogue buffering (volume control) to drive the amplifiers. Check with Dennis Had of Cary Audio and/or Dan Wright of ModWright to see which solution best fit your needs. Assuming that you're gonna have a full-fledged pre-amp, I would skim down on the mods to the source unit to save $$$ and possibly go with the new APL Sony where the bulk of the mods reside in the digital circuitry and power supplies rather than analogue stage which will be redundant when using a pre-amp. Just my 2-cents...
Spike
I recall asking Victor Khomenko of BAT this question and he mentioned that you'll lose 6db of signal amplitude for every RCA connection made.Robin said:1). Would a simple "Y" type of switch be detrimental to the signal? If so exactly how? or why?
Color is a subjective term. For example, Cary SLP-98 actually stands for "Sweet Little Preamp" meaning some coloration is involved Another good example is the ARC preamps which have been called "neutral" by some but "sterile, lifeless" by others. Go figure. Only you can determine what is colored or neutral.Robin said:2). Would it be possible to have a simple two channel (Phono / CD) tube pre-amp like Cary or Conrad Johnson etc., which would not color or flavor the signal at all?
There's been metion of a volume control for the ModWright phono-stage on the ModWright forum. Here's a quote from Dan Wright...Robin said:3). Is it possible or advisible to Modwright - add volume control to a TT for direct control of two amps without a pre-amp?
Dan Wright from the ModWright forum said:So far, the design will be as follows:
SE input and output - not balanced.
MM and MC - switchable.
MC gain = 65dB - 70dB is my goal.
Design will be hybrid SS and tube.
Cartridge loading will be possible.
Step-up transformers will not be used for MC gain.
Unit will be available as an upgrade option for the 9.0SE and as a standalone unit. Standalone unit may have volume control and one extra input for vinyl purists who want to run direct to their amp.
Robin said:OK I'm convinced, I see the light, I do not want to "Y" switch. But now I have a lot to concider i. e., Dan Wright's - Modwright 9.0SE Standalone TT with volume control with extra out put - directly to my amplifiers...