Call me crazy but they (magic dots) work!

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If those dots are able to damp a window's resonance, the effect will be clearly visible in a waterfall plot. I've never seen such a graph for those dots, or any other too-small tweak products. But if you or others here know of such data please post a link.

--Ethan

Agreed. FWIW, I have no data as I was merely speculating "out loud".

I have no direct experience with products of this ilk, so I can't have an imformed opinion. The closest I can draw on is my experience with an isolation platform under my CD player.

Many moons ago, the Mission Isoplat was being praised in the UK Hifi press. Being sceptical, I didn't understand how such an item could affect the sound quality of a CD player. But they were quite cheap so I decided to try one in my low resolution system. I was amazed at the improvement I heard, well worth the £20 price of admission!

That experiment (and my bi-wiring experiments from the same era) tought me that one should at least try some of these tweaks, no matter how iffy they appear to be. Hence, I approach such things with an open mind--and a healthy dose of scepticism. :)

PS I still have that Mission Isoplat. It's currently supporting my preamp.
 
Hi Rich,

I will be the first to admit that "tweak" products, as you've stated, have to be approached with a healthy sense of skepticism.

I have tried numerous isolation devices under my gear and have chosen different products for different pieces depending on their specific impact on the sound of that particular piece, be it a preamp, CDP, amp, or whatever.

Beats me as to why. I'm not a techie but know what I hear.

IMHO, attenuating vibration can lead to a significant improvement for minor dollars. If one hasn't tried these products, and there are numerous options, they may wish to reconsider.

GG
 
For what it is worth and I recognize, from your perspective, it's not worth anything, but the dots I have on my window are 2-5/16" in diameter.

How many dots do you have total, and how big is your window?

Do you have any way to measure your room acoustics? If you have a computer connected, the free REW software will show exactly what happens when dots are added. I understand you don't want to remove the dots you have, but what about adding a few more? Or simply have a friend press both palms firmly against the glass and see if that results in a change in the room response and ringing. This stuff is so easy to measure, I'm surprised more people don't even make an attempt to measure!

This subject has been discussed ad nauseum in the high end press and validated by many people who have tried different wire and found that it does make an audible difference.

But magic speaker wire has been invalidated by many more people, including real engineers who actually understand how electricity works. This famous quote applies well I think:

"If 50 million people say a foolish thing, it's still a foolish thing." --Anatole France (1844-1924)

--Ethan
 
Ethan,

For better or worse, I am not a "techie" and don't have the equipment to perform any spectrum analysis tests. I've always relied on those stupid things on the side of my head. For me, that's been enough but I recognize there are others who want / need additional quantifiable information to ascertain / reinforce what one is hearing.

Hopefully Ron can provide additional insight into his product, how it works, and the sonic attributes thereof.

I, for one, am looking forward to his observations.

Regarding your comments on speaker wire, I understand that perspective but, based on my personal experience over some 30 years, would respectfully disagree.

I surmise your observations are based on the premise that "if you can't measure it, it doesn't exist". Don't know if that's your position but just asking. With all things audio, I obviously reject that perspective as invalid. I believe the ear (absent any hearing anamolies) is a far more sensitive device than any measuring instrument.

A classic example of this is the amount of negative feedback that was used in early SS amplifiers, the application justified by a significant decrease in measured distortion. THD I believe they called it. We all know what happened to that design theory and measured performance. And then, of course, the introduction of the CD and the measurements that claimed it was "perfect sound forever". Oh well.

As to the window size and number of dots, I have two windows that are 6' wide by 8' tall. There are two dots per corner arranged at a 45 degree angle for a total of 16 dots.

GG

PS: Just to make sure I understand your position on speaker wire and your quote at the bottom of your last post (If 50 million people say ...), are you saying that forum members who use something other that 16 ga. zip wire are foolish?
 
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I surmise your observations are based on the premise that "if you can't measure it, it doesn't exist". Don't know if that's your position but just asking.

That's mostly my position, because I know that all things audio can be easily identified and measured. But yet again I remind everyone that a null test can identify any change in a signal, whether you know what to look for or not.

I believe the ear (absent any hearing anamolies) is a far more sensitive device than any measuring instrument.

This is exactly the problem. It is well known by engineers that ears are vastly less accurate and less repeatable than test gear. I appreciate that not everyone understands this, but it's the truth. I'm sure you've had the experience of hearing a particular tune sound great on your system one day, only to sound so-so another day. This is the frailty of hearing and perception. A frailty not shared by test gear.

As to the window size and number of dots, I have two windows that are 6' wide by 8' tall. There are two dots per corner arranged at a 45 degree angle for a total of 16 dots.

That's about what I figured. I do not accept that 16 dots on such a large window will have any audible effect. I imagine you're satisfied not to have an proof, but I urge you to investigate anyway. If you're not savvy with computers, maybe you have a friend who is and would come by to test your system with someone pressing and then not pressing on the glass. This is the only way you'll come to appreciate how frail perception really is.

--Ethan
 
This is exactly the problem. It is well known by engineers that ears are vastly less accurate and less repeatable than test gear. I appreciate that not everyone understands this, but it's the truth. I'm sure you've had the experience of hearing a particular tune sound great on your system one day, only to sound so-so another day. This is the frailty of hearing and perception. A frailty not shared by test gear.

--Ethan

Sorry, I've got to disagree with this one. Our technical editor has a masters in electrical engineering and a Ph.D in Physics and he has told me repeatedly that instruments only take things so far.

A good friend is a board certified audiologist who works with hearing disabilities and the cutting edge of hearing aid technology (also an E.E.) and she too has told me that the human ear is much more sensitive than her best instruments to very tiny perceptual and frequency changes.

While I'm sure this isn't the last word on the subject, I think it is food for thought.

I don't think the perception of your system sounding good one day and fair the next is the frailty of human hearing, it's the crap in your power line...

Also chat with a few engineers about the change barometric pressure has on vacuum tubes.....

More food for thought.
 
Sorry, I've got to disagree with this one. Our technical editor has a masters in electrical engineering and a Ph.D in Physics and he has told me repeatedly that instruments only take things so far.


Of course! Until we can predict the sound of equipment by specs only I'll accept that there are things going on that we don't yet fully understand. Simple as that.
 
Same quote as tonepub 2 posts before this one.

Test kit isn't that great. I commonly work with loads of it (scopes, logic analysers, multimeters etc) - and it all has calibration stickers on it, with expiry dates. The expiry dates are only a guess though, the equipment may fall out of calibration before that date.

As long as it is in cal, though, it should be cool.

However, the human ear is pretty fickle - it's just a piece of stretched skin, and it is subject to all sorts of disorders, and it's performance varies with age, ear wax levels, ambient temperature and pressure etc all of which is then interpreted by some dodgy biological matter we call a brain which differs substantially from person to person - and which is subject to disorder too! What's more, it cannot be calibrated or produced to known performance levels.

If I had ten quality microphones from the same manufacturer, and ten people with good hearing, and applied frequency response tests to them, I'd expect the mics to be more consistent by far. This is why we all hear differently.

We should remember that much of what we listen to has been recorded via microphones. They are very sensitive devices.

However, whilst we can measure microphone output for a given input, and therefore obtain precise data about it, we cannot do this with a human ear. All we have is "yes", and "no" to "can you hear that or not".

I submit, therefore, that we don't really know how good the human ear is versus a mic.

After Ethan's inquiry about the size of the panes, and the amount of damping applied, his "bet" is that a mic won't be able to measure it. He might be right. But there will be a difference, because the resonant behaviour of the glass has been altered. It just may be the human can detect this - we just can't prove it with scientific data. Maybe we just have to trust the guy who says he can - but can we trust him? Ethan's point again.

Just more food to add to the pile:)!
 
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I think you guys are missing the larger issue here. First, it's not so much the ear itself, though that does vary and has distortion. But the real issue is how the brain interprets what the ear picks up. This is why music sounds good some days and bad others. It has nothing to do with AC power, I promise you. And if it did, that too could be easily measured.

Test gear can measure over a dynamic range of about 130 dB. It can see 5 KHz at -100 dB in the presence of 200 Hz at full scale. Ears are nowhere near as capable, as proven in my Artifact Audibility Report. I went to a lot of trouble to create those test files, and I'm 100 percent certain you'll agree with me if you only bother to read the article, then download the files and play them.

When test gear is calibrated the deviations corrected for are way below what anyone can hear. Test gear can easily measure a change in level of 1/100 dB, and nobody can hear that. Test gear can measure phase shift which people cannot hear. It can measure frequencies well above and well below what anyone can hear. Really, between test gear and human hearing it's no contest, no matter how many "degrees" are held by people saying the opposite.

--Ethan
 
After Ethan's inquiry about the size of the panes, and the amount of damping applied, his "bet" is that a mic won't be able to measure it. He might be right. But there will be a difference, because the resonant behaviour of the glass has been altered. It just may be the human can detect this - we just can't prove it with scientific data.

Yes, something will change, but the change will be down in the noise. And the change will be so tiny nobody can hear it anyway. It's easy to prove! Just do the test double blind 20 times and see how many times the subject can tell when the dots are in place or not. Easy, yes?

--Ethan
 
Sorry, I can't resist, one last point:

Guy number 1: The dots are amazing

Guy number 2: You are full of crap

Guy number 1: No I can hear it, you are dumb

Actually, this is much closer to what transpired:

Guy number 1: I was abducted by aliens last night and they probed my anus (as aliens always do).

Guy number 2: Unlikely. You were probably half-asleep, and only imagined it. Sleep specialists are aware of a phenomenon where dreams can seem very real, but they're just dreams. This is a much more likely explanation.

Guy number 1: How dare you accuse me of hallucinating! I really was abducted. I'm sure of it.

Guy number 2: Whatever.

:D
 
Its very unfortunate that you just posted this. I have been trying very hard to keep this respectful and you choose to keep firing. Its obvious that the members are getting quite tired of all of this.

I was going to ask if you would be willing to provide me with a sample of your product to audition. Based on your last post, forget it.

My sincere apologies to all members (excepting the obvious) for starting this.

GG
 
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Damit, is that why my prostate hurts so much:D I knew it was dem aliens! Slightly off track, but I am reminded of a tabloid paper's headline a few years ago. "Alien curry monster bit my arse!". Classic.

I will read your article when I get the time. Whilst I stand by my point about it being hard to measure accurately how good human hearing actually is, I don't deny test kit can out perform it in any way, shape, or form in terms of absolutes.

The real point is this, Ethan. If Gordon is convinced he heard a difference for the better, at the end of the day that is all that matters.
 
Ethan-

Do you like REW with a Radio Shack SPL meter? I've been using that but have found that the Radio Shack meter doesn't seem very repeatable. I take three measurements in the SAME spot and they are totally different. Thoughts?
 
My sincere apologies to all members (excepting the obvious) for starting this.

Gordon, with all due respect, look at the hit count on this thread - 2,617 is absolutely staggering considering the subject matter. No need to apologise - people have obviously been loving it! A little bit of controversy goes a long, long way...:)

Happy listening.

Justin
 
Thanks Justin. I guess that's pretty impressive and I will take solace in that number.

Best regards,

Gordon
 
I have been away for a week or so and haven't been keeping up. But I can't resist jumping into this fray, even if I am late to the party. Here are my thoughts.

I go back and forth between the ideas of scientific method vs. subjective listening in regards to verifying audio tweaks.

I hold a high regard for the ability to use A/B/X testing to verify the validity of a difference between using a tweak vs. not using a tweak. At the same time, it suffers from its own issues and is not the be-all end-all. I also understand that many with a scientific and engineering background poo-poo anything that can't be proven with scientific measurements. I think history has proven time and again that science cannot and does not explain everything that we hear. Some products measure perfectly and still sound like crap; whereas other products measure awfully and still sound awesome. Many products with nearly identical measurements can produce very different sonic signatures. Everyone must recognize that Science is limited at any point in time by what we do not know. We still do not know plenty about audio reproduction.

The bottom line is that we use our ears and brains for listening, not calibrated electronic devices designed to measure distortion and frequency response. Therefore, my thought is that if you hear a discernible difference when using a tweak, then that should be enough for you. Others may not hear it or may not believe it, but that is not your problem. You are spending your money on your system and you are the one who must enjoy it. This forum is for debating and discussing all of these issues, but we must do so with respect for each individual's opinions and experience, even if they differ from our own.

I do believe that how we respond to things like this makes a difference. I think that saying someone is crazy or living in a fantasy land because they state that they hear a difference in their system shows poor character, especially if you have no experience with their system or the product which they are discussing. And I am quite sure I have done just this numerous times in my time on this forum. We are human, after all.

I have a lot of respect for Ethan's background and understanding, but at the same time I do find his responses are often a little egotistical and "holier-than-thou." A very black-and-white, know-it-all, "I am right until you prove me wrong" kind of attitude. I have seen similar traits in my own responses, so I am not casting stones but merely stating that these are just human traits which each of us possess in varying degrees. We are who we are. Gordon tends to be a little defensive and will light into a frenzy pretty quickly if he feels his integrity is being questioned. Which I also understand.

Ultimately, we do need to try to keep to facts and personal observations and avoid personal attacks based on differences in what we believe to be true. As Gordon said:

I find the product to be worthwhile. Others may find it to be fantasy or whatever.

We can certainly agree to disagree recognizing that this hobby is quite subjective and that the "right" balance of hardware and room induced anamolies will be different for each individual.

There is no question that hi fi audio is a subjective hobby. The debates between measurements vs. listening and A/B/X testing vs. long-term listening comparisons will continue to rage forever. There is no right and no wrong answer, only lots of opinions on a continuum. Let's try to have these discussions with this point in mind.

By the way, my opinion is that the tuning dots probably do provide some audible difference. Glass resonates at particular frequencies and anything you can do to dampen those resonances is going to provide a better sound. Reducing any unwanted vibration or resonance in your listening room will result in better sound. Just makes common sense to me. Understand that the rear wave of the speaker is directly impacting these large glass panes in Gordon's listening room. When you have the Summits cranked at high volume level, there seems little question that you would have resonances from the glass muddying your sound. Why wouldn't you try to dampen those resonances?

I have heard Gordon's system and it sounds great, which is not what you would expect from seeing the expanse of glass behind his Summit's. At the same time, I have not done any A/B comparison to hear the differences without the dots. But Gordon has and I trust that his opinion was that they made a difference. Ultimately, that is all that matters.

Whether or not there are more cost-effective means to achieve the same results is another argument entirely. Of course there are. There always are. Because audio tweaks are by their nature way over-priced and there are always cheaper ways for the diy'er to achieve similar results.
 
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