babydoc
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Yesterday marked another musical epiphany in my sound room. My installer with the help of my handy man hefted two massive square cartons into the house (the speakers weigh in at 140 lbs each!), and with the two of them grunting and straining, a pair of gloss piano black Martin Logan Balanced Force 212 subwoofers emerged.
These subs are not only gorgeous to behold but are the most thorough in terms of set up that I have ever owned (previous subs were the Descent and Descent-i). M-L offers a custom low-pass filter for just about every ESL that they have produced. I found the one for my CLX, downloaded it to the thumb drive that M-L provides and loaded onto each sub. [NB: A couple of caveats: (1) If your PC has its own microphone (and many do), disable it. (2) Be sure that that you name the Paradigm USB mike, exactly as the warning window that appears the first time you use it, "MartinLogan" or it will not make measurements.]
The fun part was using the PBK (Perfect Bass Kit) that consists of a microphone with adjustable stand and two very long USB/mini-USB cables, one going to a port on the sub and the other to a PC. An extraterrestrial bass ripple gets generated with each measurement (the mike is moved to 5 listening positions) and the PC displays the original frequency response with peaks and dips and the post-processed perfectly smooth curve that the speakers now produce. The whole operation took about 20 minutes (including mike relocation) for both subs.
Now for the revelation. I thought that I had excellent bass performance with the Descent-i (and I did) but the BF 212s are an entirely different beast. Listening to a Reference Recording HRx DVD-R (176.4 kHz/24-bit) recording of Stravinsky's Firebird Suite (which has incredible bass), I appreciated the well-known finding that a good sub not only gets the bass right but adds dimension and clarity to the mid-range as well.
As a professional A/V reviewer, I am aware that there are plenty of high-performance subs out there, JL, Wilson, REL, Paradigm, but as the BF 212s are voiced and customizable for M-L speakers, it would be hard to beat their synergy with my CLX panels.
For those considering the addition of a sub or the upgrading of their current sub, the Balanced Force models should be at least auditioned. They have just started shipping so there may be a bit of wait but, believe me, it will be well worth it.
These subs are not only gorgeous to behold but are the most thorough in terms of set up that I have ever owned (previous subs were the Descent and Descent-i). M-L offers a custom low-pass filter for just about every ESL that they have produced. I found the one for my CLX, downloaded it to the thumb drive that M-L provides and loaded onto each sub. [NB: A couple of caveats: (1) If your PC has its own microphone (and many do), disable it. (2) Be sure that that you name the Paradigm USB mike, exactly as the warning window that appears the first time you use it, "MartinLogan" or it will not make measurements.]
The fun part was using the PBK (Perfect Bass Kit) that consists of a microphone with adjustable stand and two very long USB/mini-USB cables, one going to a port on the sub and the other to a PC. An extraterrestrial bass ripple gets generated with each measurement (the mike is moved to 5 listening positions) and the PC displays the original frequency response with peaks and dips and the post-processed perfectly smooth curve that the speakers now produce. The whole operation took about 20 minutes (including mike relocation) for both subs.
Now for the revelation. I thought that I had excellent bass performance with the Descent-i (and I did) but the BF 212s are an entirely different beast. Listening to a Reference Recording HRx DVD-R (176.4 kHz/24-bit) recording of Stravinsky's Firebird Suite (which has incredible bass), I appreciated the well-known finding that a good sub not only gets the bass right but adds dimension and clarity to the mid-range as well.
As a professional A/V reviewer, I am aware that there are plenty of high-performance subs out there, JL, Wilson, REL, Paradigm, but as the BF 212s are voiced and customizable for M-L speakers, it would be hard to beat their synergy with my CLX panels.
For those considering the addition of a sub or the upgrading of their current sub, the Balanced Force models should be at least auditioned. They have just started shipping so there may be a bit of wait but, believe me, it will be well worth it.