Scott,
I'll agree with what everyone has said, and then some. To reiterate:
1) Get the positioning right for your room--Martin Logans need "room to breathe" away from the rear and side walls. A good starting point is to make the distance to the back wall somewhere between 2/3 and 4/5 the distance form each speaker's outside edge to the side walls. (For instance, about 3 or 4 feet from the back wall if you're 5 or 6 feet from the sides...)
2) SERIOUSLY consider acoustic treatment of the room. Pay special attention to the wall behind the speakers, the side walls at their "reflection points", and ESPECIALLY the corners and the joints where the corners meet the ceiling--this last place can TREMENDOUSLY help your bass response, and will tighten up the soundstage too.
3) Put those speakers on good spikes. The little spikes that Martin Logan supplies are a good start, but you need some SOLID spikes with a little more height to get them to sound their best, especially if you are on carpet. A lot of folks here like the Oregon DV spikes, and they are cosiderably less pricey than the upscale spikes that Martin Logan sells...
4) invest in some high-current amplification. Plinius is sort of becoming the benchmark here--a lot of folks have Plinnys and love them. I'm a Carver/Sunfire fan myself. Some folks like Krell too. But you don't have to go with the mega-bucks stuff like Plinius or Krell to get your Logans to sound great. Look at some used Brystons or Adcoms or Carvers too.
One thing you will find out is that owning Martin Logans is a blessing AND a curse. It's a blessing because you'll hear your favorite music like you've never heard it before, BUT you will also hear EVERY little deficiency in the rest of your rig as well. Now that you have Martin Logan speakers, you might as well plan on a lifetime of tweeking and upgrades...
The GOOD news is, that once you get your system dialed in (and please, take your time--it is a fun process, even if at times frustrating) you will have a system that sounds better than any of your friends, and it will make anything you hear at the "big box stores" sound like absolute crap. A properly designed Martin Logan rig is a thing of sonic AND visual beauty, and it brings with it the satisfaction that you probably have one of the best-sounding stereo of anyone you know...
At least you'll feel that way until you hear some of the systems on this forum. Some of these guys have ASTOUNDING rigs, believe me. I thought my rig was the cat's pajamas until I went to a couple "Martin Logan Meets" up in the Washington DC area. Boy did that put me in my place--but it also gave me a whole other level of performance toward which to aspire.
AS I said, you opened a bit of a "can of worms" when you purchased Martin Logans, but in the long run, you will be glad you did, because the payoff is sonic quality and fidelity is massive...
Welcome, Scott, and good luck!
--Richard