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Dirk Bakker, Huntington Woods, Michigan
Summits with Descent bought in 2006
Aesthetix Io Signature phono preamp with dual power supplies
Audio Research RefII MarkII preamp
Audio Research V140 monoblocks
Sota Star Sapphire turntable, motor upgraded to Cosmos
Eminent Technology II air-pressure-bearing linear tracking tonearm
ZYX Airy3 S low output phonocartridge
Proprietary solid copper interconnects, speakerwire, powercords with FIM connectors, all cryogenically treated
Dedicated all copper power service, box cryoed, with copper ground rods, separate from all other electrical service to the house
Clearaudio record cleaning machine
I have owned MLs for 25 years starting with the Sequel and two months ago replaced my Prodigys with Summits. As you can see in the pictures, the room is quite tall and opens up to both sides into other spaces. Placements was a big struggle, I almost gave up a week ago and contemplated reversing my purchase. Then I pulled the Summits another 6 inches towards the listener, clearing the sidewalls altogether and I was rewarded with a complete transformation of balance and the ability of the speakers to float aural images in front and rear, seemingly unattached to the screens.
The room is built over another equal size 10 ft high room and I have always placed my speakers on the feet that you can see in picture 2ch4. They are spring loaded double disc sandwiches that completely uncouple the speaker from the cavity below the wooden floor. This allows them to sing without the whole floor singing along.
Although the system contains a 12 year old CD player, I only sit down to listen to LP's, realizing years ago that I was never really swept away by CD's and even found it hard to sit through a single symphony without wandering off.
I know that this does limits one's ability to listen to new reportoire, but I found that with collectable records being traded mostly on the net, I still find amazing gems especially from the former eastblock countries. Great performances in luminous recordings from Russia, Hungary etc., more than I often have time to listen to.
Anyhow the Summits will stay and I will probably now find another pair to use in my 5:1 system.
Summits with Descent bought in 2006
Aesthetix Io Signature phono preamp with dual power supplies
Audio Research RefII MarkII preamp
Audio Research V140 monoblocks
Sota Star Sapphire turntable, motor upgraded to Cosmos
Eminent Technology II air-pressure-bearing linear tracking tonearm
ZYX Airy3 S low output phonocartridge
Proprietary solid copper interconnects, speakerwire, powercords with FIM connectors, all cryogenically treated
Dedicated all copper power service, box cryoed, with copper ground rods, separate from all other electrical service to the house
Clearaudio record cleaning machine
I have owned MLs for 25 years starting with the Sequel and two months ago replaced my Prodigys with Summits. As you can see in the pictures, the room is quite tall and opens up to both sides into other spaces. Placements was a big struggle, I almost gave up a week ago and contemplated reversing my purchase. Then I pulled the Summits another 6 inches towards the listener, clearing the sidewalls altogether and I was rewarded with a complete transformation of balance and the ability of the speakers to float aural images in front and rear, seemingly unattached to the screens.
The room is built over another equal size 10 ft high room and I have always placed my speakers on the feet that you can see in picture 2ch4. They are spring loaded double disc sandwiches that completely uncouple the speaker from the cavity below the wooden floor. This allows them to sing without the whole floor singing along.
Although the system contains a 12 year old CD player, I only sit down to listen to LP's, realizing years ago that I was never really swept away by CD's and even found it hard to sit through a single symphony without wandering off.
I know that this does limits one's ability to listen to new reportoire, but I found that with collectable records being traded mostly on the net, I still find amazing gems especially from the former eastblock countries. Great performances in luminous recordings from Russia, Hungary etc., more than I often have time to listen to.
Anyhow the Summits will stay and I will probably now find another pair to use in my 5:1 system.
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