The 5&7XW's can't compete with the Statement 40XW. And while the Statement is excellent, it's just not quite able to compete with the 13A for music.
If you want to use that game room with the sloped ceiling, it's much better to use it reversed from what you stated. You want the ceiling to be like an auditorium, with the low point being behind the speakers and the high point being behind you. Otherwise, the bass gets trapped. My room has a cathedral ceiling and the slope starts at 8 feet at the front wall and goes up from there over the seating.
You might want to experiment a little. Take a subwoofer, chair, computer, processor or audio interface, and a microphone, and run REW to find out how the room/subwoofer measures. You can put the sub on the chair, get REW's RTA and Generator running pink noise, then hold the mic in various spots in the room to see in real time how the frequency response looks. It helps to have a second person refresh the RTA response curve when the mic is moved to a new position. The resulting curve can be saved in the current project so you can compare each mic position later. Also, you don't want to run the pink noise continuously for many minutes at a time, the sub's speaker coil can get overworked. So use a low volume and just for a minute or so, then give the sub a rest.
You can do the same in the game room.
If you want to use that game room with the sloped ceiling, it's much better to use it reversed from what you stated. You want the ceiling to be like an auditorium, with the low point being behind the speakers and the high point being behind you. Otherwise, the bass gets trapped. My room has a cathedral ceiling and the slope starts at 8 feet at the front wall and goes up from there over the seating.
You might want to experiment a little. Take a subwoofer, chair, computer, processor or audio interface, and a microphone, and run REW to find out how the room/subwoofer measures. You can put the sub on the chair, get REW's RTA and Generator running pink noise, then hold the mic in various spots in the room to see in real time how the frequency response looks. It helps to have a second person refresh the RTA response curve when the mic is moved to a new position. The resulting curve can be saved in the current project so you can compare each mic position later. Also, you don't want to run the pink noise continuously for many minutes at a time, the sub's speaker coil can get overworked. So use a low volume and just for a minute or so, then give the sub a rest.
You can do the same in the game room.