You are only proving my point here...As I have stated several times - using entry level equipment would mean the amp may not be powerful enough to fully drive the full range of the speaker and in those situations a mod like the one discussed here may give improvements. My entire statement is focused on listeners who have high end and capable amplifiers that do not struggle to push the full range of the speaker. Individuals with this type of equipment would be downgrading their equipment by inserting a PA amplifier to drive the low end and high end amp power would not be needed/used to only drive the mids and highs in the ESL portion.
What specifically are you claiming is false? Please give me a link to a thread using the amps you are referring to and/or a link to the product information. The ONLY examples I have seen of this mod give the make and model of the amps being used and they are all Behringer or Crown "professional" (PA/live music) amps.
To your point on "dying to spend more money..." you are missing my point entirely. I'm not advocating a mod at all, but instead advocating for those who have already invested in quality equipment to begin with - which negates the purpose of modifying at all. As I stated...if someone does not already have high end equipment then this mod may very well produce the results that are being discussed here. But the mod is a downgrade if you already have in your system, high quality and capable gear. I am keeping an open mind and discussing both sides here, but the only comments I seem to be getting in return are ones that leave no room for using proper critical listening gear. Don't get me wrong, I'm not saying PA amps are total garbage and never ever have a place in home stereo systems - but I am absolutely saying they are no replacement for proper gear - ESPECIALLY when it is already in place.
I keep getting comments saying that I should immediately jump to this solution because there is no hope for my crossover...What on earth are those comments based on? I have already repaired the crossover for pennies on the dollar compared to modifying this way. I also see lots of disdain for the original Martin Logan crossovers. Why?
Wow... where to start...
1) "Entry level" and PA/Live systems are NOT synonymous. Please remember that almost ALL live concerts/performances, from Pink Floyd to St. Martin-in-the-fields are dependent upon "PA gear". And recordings made of those, are not going to improve on the source, no matter HOW much the "critical home listener" spends. ALL OF US are TRYING to approximate that live music experience, driven by those (shudder) PA Systems.
2) "Proper gear"... once again, not sure you realize it, but mediocre module-based el-cheapo amplifiers these days have statistics (signal-to-noise, etc.) equal to or better than the very highest end gear from 30 - 50 years back. And no, our ears have NOT evolved.. if anything, with everyone growing up listening to compressed MP3s and similar, I mourn the future of Hi-Fi as we have known it. If you want to be (or at least, sound) elitist, haul out the signal generator and oscilloscope and lead with verifiable, repeatable facts (sorry... you hit a nerve with "proper gear"!).
3) As Brandon pointed out, the exact path he has taken (and very thoroughly documented) in his projects is the biggest differentiator between the older ML products and their new top-of-the-line ones. Yes, the Masterpiece series have Class D amps driving the woofers. and they are "shaping" the curves using ARC.... all in the digital domain.
4) ANY (and I do mean ANY) additional circuitry results in lost efficiency and the introduction of sonic artifacts. YES, crossover circuits have been a major focus of hi-fi aficionados for about a century, but things change. Coils, capacitors, load resistors... they ALL add "issues" to the signal... a crossover circuit, by definition, is a compromise. Some of the very highest end products are swinging towards the digital domain... DACs, Filters, dedicated digital feeds to speaker-embedded DACs with separate active amps per driver. THIS is where things are going. I'm not sure if they're still around, but Gayle Sanders, founder of ML, was working on a product range at Eikon Audio doing JUST THIS... Digital control of the entire domain (
Gayle Sanders Eikon & DSP Optimization).
5) From a personal perspective, I plan to try catch up and jump on this band-wagon. I have a nice-sounding pair of SL3s (with new panels), driven by an excellent Bryston 4B-ST. I plan on tossing out the crossovers, and using a Crown amp with digital low-pass filter to drive the woofers... can't wait!
Sorry if this came across as too "rantish", but if we don't have science, we have Luddites running amock ... and heck, even Douglas Adams designed a video game before his untimely passing...
Speaking of which, here's a quote from The Luddite that helps explain a lot of this:
“I've come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you're thirty-five is against the natural order of things.”