I'm going to try to steal ML's bandwidth with a picture, but with the way they have them mounted, wouldn't it sound HORRIBLE?! You have the center channel with the 30 degree arc horizontally, and the left and right channels with the arc vertically. Wouldn't left and right Martin Logans with Vertical CLS arcs mean that there is NO left and right dispersion? Wouldn't this mean that no seat could possibly be a sweet spot?
Why is it being marketed as anything but a center channel in the first place?
Help me out experts.
-Allen
OMG!
This is soooo
wrong, I hardly know where to start. Bad,
Bad layout. :stop:
Devin, if you are reading, this, please take that pic down pronto. It makes ML look clueless about acoustics. And since you are the ‘Loudspeaker company’, showing you understand a bit about how speakers interact in a room is fundamental to your credibility.
The Motif in the center is actually OK, as that’s where it’s designed to go, but here’s why the left / right usage of a Motif is wrong, just plain wrong:
In that position, the vertical dispersion is going to hit and reflect off the ceiling and flooor, not a good thing. Matter of fact, ML has spent the last few decades bragging about how the ESL designs did not reflect of ceilings and floors, and why that’s a good thing.
So why do the opposite now?
The image will be smeared by the ceiling and floor bounces. Not good.
The horizontal dispersion is
laughable in this configuration. I mean, a 10” wide flat panel has no horizontal dispersion when mounted like this. This is why ML ESL panels have their patented 30 degree horizontal curve, to disperse evenly in that plane.
So it will have mid-bass (the cone drivers are broader dispersion than the ESL) no mid’s and weak highs up to 3,500Hz, where a dynamic tweeter will again improve a bit due to its broader dispersion.
Basically, it will Suck, sounding both boomy and shrill at the same time.