Nice work Peter, your first pic could have been from my camera, our coils are the same. Have you upgraded both speakers or just the one so far? Not sure how much burn in they need but mine will come off the burner tonight, 5 days on.
How, from memory, would you compare your sound now to Summit x when you heard them? I know some time has passed, though any thoughts would be of interest.
Hi there, both speakers' panels are updated, and I think I will now upgrade the woofers' too, after taking space measurements last night and asserting that I can fit the monsters that I expect them to be.
Copper will burn in but I don't know for how long. What I have noticed within a day is that this upgrade has significantly reduced distortion, and has now removed the last bit of strain I was able to detect with some very demanding instruments, like piano fortes (I use a Chesky/Earl Wild/Chopin Etudes CD primarily for this), and I have reached the point of wanting to turn the volume up to enjoy these extreme phenomena.
Last night my jaw dropped listening to
Bruch's Scottish Fantasy with Oistrakh, both on XRCD and LP. Extreme pinpointing of the violin; layers and layers of soundstage behind it; powerful, effortless and very realistic rendering of the violin right there in front of me - complete you-are-there emotion; total disbelief. It's great to be able to hear what a Stradivarius might really sound like... shivering...
What this entire crossover update has achieved (and you'll see for yourself) is bring out the
emotion in music reproduction. You will be stunned by how realistically strings are rendered (assuming upstream components are up to the task) - you will feel them vibrating (as opposed to making just a sound at some frequency); this is what the speed of an electrostat is all about. The speaker currently still significantly falls short in shear size of the orchestra, something it will never achieve, though still spectacular with great recordings, and of course the bass's speed can still be improved.
WRT Summit X, yes it's been a little while since I last auditioned it (~7 weeks), but I am pretty certain this new Odyssey smokes it in just about every aspect: larger and faster panel (due to crossover updates), no rattling woofer enclosure (the X is really bad in that respect), higher level of realism than the X, less distortion; and I still think the tonality of the Summit series is tipped up higher and meant to be matched to the room by tilting, but up to a point - I like the vertical panels in the older speakers and the CLX. I intend to go back and re-listen to the X and the CLX, with the same music and driven by the same Spectral electronics. I think the question is not whether the new O's are better than the X, but rather how do I get my hands on a Monolith III to upgrade
now that would be the speaker to reproduce the size of the orchestra more realistically