Wow, there a bit of confusion going on here. So let’s see if we can clear some of this up.
First, Lossless formats:
These are WAV, FLAC, Apple Lossless, WMA lossless, etc. and they ALL are capable of encoding a PERFECT reproduction of the input ripped from the CD.
Variances in formats are more about data compression (WAV has none, others vary depending on codec settings) ratios and metadata capabilities.
Audible differences are going to be driven by other factors, not the codec itself.
For instance, jitter differences between the output of a CD player vs a squeezebox could account for some of it. Or using a high-jitter connection, like HDMI output of an Apple TV vs a lower jitter SPDIF from the same box.
There is one caveat about lossless formats, and that is a true bit-perfect accurate rip is critical to achieving best quality.
IMHO, just ripping in iTunes to lossless is not good enough for audiophile archival and playback uses.
To do it right one must:
Rip using a good quality software that guarantees an accurate rip. Such as EAC or my current favorite: dbPowerAmp.
Only an accurately ripped WAV, FLAC or whatever will match or beat a top-end audiophile transport at delivering everything the CD medium can.
There is lot to be said about how one plays these files back, but that’s another post.
First, Lossless formats:
These are WAV, FLAC, Apple Lossless, WMA lossless, etc. and they ALL are capable of encoding a PERFECT reproduction of the input ripped from the CD.
Variances in formats are more about data compression (WAV has none, others vary depending on codec settings) ratios and metadata capabilities.
Audible differences are going to be driven by other factors, not the codec itself.
For instance, jitter differences between the output of a CD player vs a squeezebox could account for some of it. Or using a high-jitter connection, like HDMI output of an Apple TV vs a lower jitter SPDIF from the same box.
There is one caveat about lossless formats, and that is a true bit-perfect accurate rip is critical to achieving best quality.
IMHO, just ripping in iTunes to lossless is not good enough for audiophile archival and playback uses.
To do it right one must:
Rip using a good quality software that guarantees an accurate rip. Such as EAC or my current favorite: dbPowerAmp.
Only an accurately ripped WAV, FLAC or whatever will match or beat a top-end audiophile transport at delivering everything the CD medium can.
There is lot to be said about how one plays these files back, but that’s another post.