Hocky
Well-known member
I've spent a fair amount of time with the Q5's locally and they're excellent.
Interesting... I heard the Q3's at CES and they did sounded mighty fine. I did not have a chance to hear them critically yet, although I may plan a trip to Goodwin's for that. I did hear the CLX's there on a full Spectral Reference system and that was pretty magical (except for the low end of course, I did not use the subs in the evaluation), much more of a cohesive piece (and expansive soundstage) than the Summit X's, although I really like the Summit X's as well, if not for their shear versatility in dialing in the bass.
Now you got me thinking about replacing my DMC 30SL Series II with the DMC 30SS Series II given how much you like that unit. One more thing to add to my list of equipment to evaluate!
BTW, my current speakers are Avalon Eidolons.
I wish had the option to drive the amp without the preamp to A/B, but unfortunately my amp is a DMA 150 Series II which may not take well to having something other than a Spectral preamp Driving it. My MIT Oracle 1.1's speaker cables may help ameliorate this somewhat, but I'm not sure I'm willing to take the chance.
BTW, my current speakers are Avalon Eidolons.
Subwoofing is the one area I still need to address.
Todd, here's some IMHO required reading to get you started:
Geddes multi-sub approach
Harman ditto
Both arrive at the same dispersed sub solution.
Also consider a useful measurement kit e.g. Dayton Omnimic or REW and, if you're really adventurous, an active mains/sub crossover and EQ.
Time spent learning, fiddling and measuring will reward the effort, big-time.
I still have the CLXs, yes. However, I sold my JLs because I could never get rid of some residual 60Hz hum with them in the system (not for lack of trying, believe me). Very odd. The folks who bought the JLs state they are wildly pleased, so I guess no humm issues for them (thank goodness).
I now have a pair of ML Depth i with zero hum and great performance (although giving up some authority compared to the JLs). Subwoofing is the one area I still need to address. The best and most recent addition though, without a doubt, would be the two ModWright KWA150SE amps... Wow!
I was hesitant about driving my 360s direct, but no more - and since I no longer have a preamp, that's the only option for the moment. I also had the 150 S2 at one point. You are probably better off replacing the amp (suggest the 260) first before replacing the preamp.
I assume you are driving the 360's direct with the Berkeley? That seems to be the unit of choice for that application. If so, do you plan on getting there new USB converter box?
Regarding upgrading my 150 S2 to the 260, I could not agree with you more. In all honesty however, I'm looking to make a speaker move first (considering MBL's at the moment, but Summit X's and CLX's are also high on my list).
Are you familiar with the MIT Oracle Matrix 1.1 cable? That is what I'm currently using with my Spectral 150 S2 and Eidolons. I was wondering if you heard the current generation Oracle 1.3's or Maximum Articulation cables and what your impressions of them are (with respect to upgrading that part of the audio chain).
Aren't the Descent i's the sub's with the CLX crossover setting build into it? Wondering why you chose the Depth i's over those. I'm not familiar with the ModWright amps (I heard them briefly at CES a few years back), but if they work, then that's great! What kind of power do they put out relative the CLX's requirements?
Sorry, I am the wrong person to ask... Having analyzed this issue to death and talking to Spectral, there is exactly one set of values for optimal performance, and that's the MIT/Spectral cables only. Everything else is a variation on a theme and choosing is just a matter of taste. A lot of people swear by all these exotic cables, but they all leave me cold.
Peter
Todd, you forget about the price of the development that went into the filter.It is a little annoying though that ML doesn't "right-price" those filters for all CLX owners. Hell, it's gotta be $3 to produce... their markup is stratospheric.
Neither the Depth nor the Descent have the special CLX filter built in... need to buy the filter separately and install it. Both these subs have a "CLX setting" on the cross-over dial, but that setting selects the install-able filter. If it's not installed, no worky.
I chose the Depth because I felt like two Descents would just be too much for my room. In retrospect, I think I let my budget-mindedness get the best of me and I should have sprung for the Descents... or at least one initially and then another if I felt it was warrented.
The ModWrights are astounding. I bought two and configured each for Mono. As such, they drive 600W per channel which the CLXs seem to slop up like a thristy dog (OK, horrible analogy). But having had a pair of 70W KT88 based tubed monos previously, it didn't take too long to realize I was under powering the speakers. Moving to big watts is (IMO) the right thing to do with CLXs.
Cheers