The founder of WBF forum, Steve Williams, often says that there is a guy named Marty in New Jersey whose room is one of the top 3 he has seen in his 50 years in Audiophilia. Therefore, I decided to pay Marty a visit. Ended up in a 8000 sq ft house with a beautifully designed acoustic room, the ceiling of which, with all the internal bass traps, must be in multitude Ks. As you can see from the pics, there is a piano between the listener and the wall behind.
The speakers were Pipedreams, with 2 JL Gotham sybs (the biggest of JL). VTL 7.5 Mk III, Spectral monos, MIT cabling - but the key component that I had gone there to check out was a modded TacT, introduced after the preamp stage. Initially we played the music streamed through a Meitner, and then we moved to an old Goldmund TT (not the reference, but much lower down). Man, the difference was astounding. I am a believer (Bernard, you were right). And the TT was going through the Tact.
We played for 3 hours, everything from plain vocals, blues, pop, to chorals and Piano and classical. The imaging and soundstaging was astounding. The key thing was, this was the first time I heard a system where the drummer or the orchestra player with abandon. In every other system, it looks like they are playing suppressed because the volume can't be turned up as it would cause a boom or harshness.
Putting orchestral through it took it to a different level. I will later this week produce some of the superb pieces I heard. Lots of lighting tricks. When we played Scheherezade, he put on a desert theme where everything was dark and there were stars all over the room lol
Learnings:
1. Marty mentioned that 99% was managing the frequency response. He has been through ARC and VTL, Valhalla, Kubala, and MIT, those things don't make a big diff. Sub integration and the curve does.
2. TTs can make a difference even with Room correction
3. Systems can indeed play all genres, if done correctly
4. No point just comparing two speakers to see how low down they go, if one that doesn't go down low enough integrates well with a sub to produce a better range
5. Was this more musical than an Analysis or more dynamic than a horn, may not be, but the principles can be incorporated to any speakers of your choice
6. It is impossible to get here, since I will never spend this much on a room.
The speakers were Pipedreams, with 2 JL Gotham sybs (the biggest of JL). VTL 7.5 Mk III, Spectral monos, MIT cabling - but the key component that I had gone there to check out was a modded TacT, introduced after the preamp stage. Initially we played the music streamed through a Meitner, and then we moved to an old Goldmund TT (not the reference, but much lower down). Man, the difference was astounding. I am a believer (Bernard, you were right). And the TT was going through the Tact.
We played for 3 hours, everything from plain vocals, blues, pop, to chorals and Piano and classical. The imaging and soundstaging was astounding. The key thing was, this was the first time I heard a system where the drummer or the orchestra player with abandon. In every other system, it looks like they are playing suppressed because the volume can't be turned up as it would cause a boom or harshness.
Putting orchestral through it took it to a different level. I will later this week produce some of the superb pieces I heard. Lots of lighting tricks. When we played Scheherezade, he put on a desert theme where everything was dark and there were stars all over the room lol
Learnings:
1. Marty mentioned that 99% was managing the frequency response. He has been through ARC and VTL, Valhalla, Kubala, and MIT, those things don't make a big diff. Sub integration and the curve does.
2. TTs can make a difference even with Room correction
3. Systems can indeed play all genres, if done correctly
4. No point just comparing two speakers to see how low down they go, if one that doesn't go down low enough integrates well with a sub to produce a better range
5. Was this more musical than an Analysis or more dynamic than a horn, may not be, but the principles can be incorporated to any speakers of your choice
6. It is impossible to get here, since I will never spend this much on a room.