Ok I know this will ruffle some feathers of a few as there are many that have pockets so deep they will succumb to the best sales pitch . Its not a bash on ML or a product but rather my insights and opinions! might draw insults or laughs :devil: Besides its audio related and seems debating is well revered here !
OK first let me start by saying $4k for a sub design that has been done and is NOT new technology.. Bipolar sub design was done back in the late 80's. Its a good way to do bass as its not as placement fussy and blends well with stats ! That being said its a new name on a old twist ! (SALES PITCH)... At least the Decent , Depth had a new and unique GOOD design..
For $4k I think a sub should have a fully active Digital x over with full control of the High pass section as well as low pass section.. Not all of the users are going to want to run a full signal to their older smaller woofers or panels with full range signal.. Especially when ML them selves no longer stocks them .. Even the Decent and Depths had a 40/70 HP section switch..
This control is a win win for many users of lesser wattage amps and tubes as rolling the highs off and relieving not only the amplifier of sub 30 to 40 hz will give you more dynamics and better mids and highs .. Why do we even call it a sub WOOFER when in reality what we actually are doing is bass augmentation as your augmenting the speakers running full range.. SUB, means below under, below, beneath.. Yeah yeah yeah it runs beneath the speakers capability (Ill lather you with that later) and overlaps somewhere with a 12 to 24db drop on the low pass.. Whats still going on is the woofers are still trying to reproduce that cannon blast as it to falls off at 6/12db STILL trying to play just loosing steam like a body builder on his 33rd rep barely getting the bar back up..
Now Im no MIT engineer but seems to me that relieving them at their 6 db point and bringing in the SUB a tad over that is a better safer way and your main amp will like you more and buy you donuts for doing it!
Now Im not promoting ANY manufacture as they all are in it for profit and PROFIT is not a bad word.. So take a SAID manufacture that offers a sub with FULL control of the unit with Full DSP Room correction and balanced inputs and outputs (that are working High pass outputs), as well as single ended.. High pass starting at 31 hz on up and a adjustable x over slope from 12/24 as well as the same for low pass x over control.. Not to mention High pass delay for us 2 Chanel guys.. It plays flat to 20 hz and is not $4k .. OH yeah it has a 1000Watt class D amp also but only has one driver ..Seems like a lot for what it does.. I mean it's made out of the same MDF as a $4k It does not have a secondary wood top.. or a second driver.. so I guess that driver and wood top cost $2500 ... Now this is not a Attack on ML but rather a opinion of a consumer.. Remember opinions are like a$$h.oles, everyone has them and they all stink.. By the BY, this sub cost around $1500 retail..and is well revered by many who actually listen and dont buy by recommendations and brand but ear and dollar value!
Now many of you will say my $5k plus processor will do that so I guess I need to spend more to control my bass..
With today's audio going the way of DSP and digital DAC/ streaming.. Control is going to be a big selling feature as I do not think we have touched on the tip of the iceberg yet with DSP x overs and such.. Class D has become a real player and will be new wave of the future with lower to mid priced designs.. Some have been doing it for years with fair success.. As for BASS its a must with full control and the ability to help your mains too
Ok Now my 100k speaker rant.. This plays into the sub woofer discussion a tad.. So why do we need to spend good money op a speaker that is good to 20 to 24 hz and add a sub.. I can see for HT as subterranean Dinosaur stomps and bomb blasts but I still dont want my main woofers trying to reproduce that.. Many do this with two channel to compensate for room issues..
Why buy a speaker that is good to those levels and stuff it into a room thats undersized and wonder why bass is shy or flubby.. Why not look into a speaker that is suited to the room and buy a sub that blends the two.. Seems I have seen many with the new Masterpiece series have went that way.. I know I would not spend $25k and have to buy $4 k plus for the bass I just paid for the fist time.. Seems counter intuitive..
This brings me into a demo I just did at a local store that had over $400k in goods and a $100k set of speakers.. I sat and listened to one of my demo songs as I know it well and was let down as I heard a great big muddled mid bass and thick woolly lower end.. I asked this sales man if he had the twin Norse god subs that were in the corner with twin 15 inch woofers playing.. He said YES! I was insulted and asked why do I need a two subs with 2 15 inch woofers a piece for an extra 30K with a speaker that is flat to 20 hz +/-3d
Isnt that a bit insulting to the speakers designer and the speaker itself.. I walked out knowing my paltry ML did a better job of overall performance and value.. Now dont get me wrong the $40 k in wireing and hook up cabling did help..
:duh: What was I thinking
OK first let me start by saying $4k for a sub design that has been done and is NOT new technology.. Bipolar sub design was done back in the late 80's. Its a good way to do bass as its not as placement fussy and blends well with stats ! That being said its a new name on a old twist ! (SALES PITCH)... At least the Decent , Depth had a new and unique GOOD design..
For $4k I think a sub should have a fully active Digital x over with full control of the High pass section as well as low pass section.. Not all of the users are going to want to run a full signal to their older smaller woofers or panels with full range signal.. Especially when ML them selves no longer stocks them .. Even the Decent and Depths had a 40/70 HP section switch..
This control is a win win for many users of lesser wattage amps and tubes as rolling the highs off and relieving not only the amplifier of sub 30 to 40 hz will give you more dynamics and better mids and highs .. Why do we even call it a sub WOOFER when in reality what we actually are doing is bass augmentation as your augmenting the speakers running full range.. SUB, means below under, below, beneath.. Yeah yeah yeah it runs beneath the speakers capability (Ill lather you with that later) and overlaps somewhere with a 12 to 24db drop on the low pass.. Whats still going on is the woofers are still trying to reproduce that cannon blast as it to falls off at 6/12db STILL trying to play just loosing steam like a body builder on his 33rd rep barely getting the bar back up..
Now Im no MIT engineer but seems to me that relieving them at their 6 db point and bringing in the SUB a tad over that is a better safer way and your main amp will like you more and buy you donuts for doing it!
Now Im not promoting ANY manufacture as they all are in it for profit and PROFIT is not a bad word.. So take a SAID manufacture that offers a sub with FULL control of the unit with Full DSP Room correction and balanced inputs and outputs (that are working High pass outputs), as well as single ended.. High pass starting at 31 hz on up and a adjustable x over slope from 12/24 as well as the same for low pass x over control.. Not to mention High pass delay for us 2 Chanel guys.. It plays flat to 20 hz and is not $4k .. OH yeah it has a 1000Watt class D amp also but only has one driver ..Seems like a lot for what it does.. I mean it's made out of the same MDF as a $4k It does not have a secondary wood top.. or a second driver.. so I guess that driver and wood top cost $2500 ... Now this is not a Attack on ML but rather a opinion of a consumer.. Remember opinions are like a$$h.oles, everyone has them and they all stink.. By the BY, this sub cost around $1500 retail..and is well revered by many who actually listen and dont buy by recommendations and brand but ear and dollar value!
Now many of you will say my $5k plus processor will do that so I guess I need to spend more to control my bass..
With today's audio going the way of DSP and digital DAC/ streaming.. Control is going to be a big selling feature as I do not think we have touched on the tip of the iceberg yet with DSP x overs and such.. Class D has become a real player and will be new wave of the future with lower to mid priced designs.. Some have been doing it for years with fair success.. As for BASS its a must with full control and the ability to help your mains too
Ok Now my 100k speaker rant.. This plays into the sub woofer discussion a tad.. So why do we need to spend good money op a speaker that is good to 20 to 24 hz and add a sub.. I can see for HT as subterranean Dinosaur stomps and bomb blasts but I still dont want my main woofers trying to reproduce that.. Many do this with two channel to compensate for room issues..
Why buy a speaker that is good to those levels and stuff it into a room thats undersized and wonder why bass is shy or flubby.. Why not look into a speaker that is suited to the room and buy a sub that blends the two.. Seems I have seen many with the new Masterpiece series have went that way.. I know I would not spend $25k and have to buy $4 k plus for the bass I just paid for the fist time.. Seems counter intuitive..
This brings me into a demo I just did at a local store that had over $400k in goods and a $100k set of speakers.. I sat and listened to one of my demo songs as I know it well and was let down as I heard a great big muddled mid bass and thick woolly lower end.. I asked this sales man if he had the twin Norse god subs that were in the corner with twin 15 inch woofers playing.. He said YES! I was insulted and asked why do I need a two subs with 2 15 inch woofers a piece for an extra 30K with a speaker that is flat to 20 hz +/-3d
Isnt that a bit insulting to the speakers designer and the speaker itself.. I walked out knowing my paltry ML did a better job of overall performance and value.. Now dont get me wrong the $40 k in wireing and hook up cabling did help..
:duh: What was I thinking