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Not sure I’d want the living room set up like that but if it works for you....

I’m considering the XP22 with a 250.8 amp. Have you heard the XP32 vs. the XP22?

Miles - Did you consider a Pass preamp to go with the Pass amp?

Are you running full range with your REL subs? And what crossover setting?

Interesting on the Argents. I'm using GIK 242 absorption panels behind the CLX on the front wall. My room is similar size 16x23x8.75; I'm toed in about 5" currently, but still experimenting as I've only had them a few weeks. My first real speakers were Thiel 3.6, followed by Genesis V, then...

jazzfish - what are those towers next to your CLX? Your system looks fantastic - how long have you had the CLX? I'm new to these speakers as well, and loving them. What are your room dimensions, and how far from speakers' inner corners is your listening position? Have you experimented at all...

Have you ever compared the DAC in the Marantz to the PS Audio? I have the Marantz SA-10 and the DAC in that sounds pretty good to me (though now I'm using a DCS Network Bridge streaming to a Mark Levinson 585 and using the DAC in the Levinson. I can't imagine having to connect so many pieces...

I'm actually using an integrated with my CLX - Levinson 585 (200 WPC); sounds great to me, though I have not heard a CLX/Pass or similar combo.

Yes, Randy and I are well acquainted at this point - he's great to work with. His vote is to high pass the mains, but so far I'm liking the low pass only approach at 50hz for my CLX. My integrated amp only has one option for high pass (80hz), so I may try that as well to see which I prefer.

Have you gone through the process of "finding the null point" between sub and main? You play one side only and reverse polarity of either main (played full range) or sub (low pass crossed over at target frequency (I'm using 50hz with my CLX and JL Audio e110s), play the (in this case) 50hz test...

I have the GIK 242 absorber panel. When I had the SL3 it was recommended to absorb the back wave to avoid comb filtering effect from reflected sound off the front wall. With the SL3 I thought it was a big improvement in image focus. I know some feel diffraction is better than absorption. The...

Curious - what are your room dimensions? Right now the inside corner of the CLX are 5" closer to the front wall than the outside corners. Not sure what angle degree that represents (I was told there would be no math....)

For the CLX owners- have you ended up tilting them back or forward at all vs. standard? I’ve noticed soundstage image could maybe be a touch higher but maybe I just need to get used to the presentation.

I have round metal discs with a small dimple in the middle that the spikes can rest on. Got them years ago from audio advisor.

Have a fondness for the White Album too. When I was a kid my folks had mostly classical records, but the White Album was a welcome exception (along with Allman Brothers Eat a Peach). I'm running Marantz for CD/SACD as well (SA-10). Considered Esoteric but I think the Marantz sounds great...

Still making slight positioning adjustments, but getting great imaging now with speakers 5' from front wall and 3' from side walls, and toed in slightly. Once I'm sure of final position I will install the spikes. Just turned on the subs today as well so fine-tuning the sub volume. It was...

Welcome! Look forward to hearing about your 15s when they come. I just set up a pair of CLX this week. Loving the electrostatic sound.

CLX Art speakers with JL Audio e110 subwoofers. Amp is Mark Levinson 585 integrated. Sources are Marantz SA-10 for CD/SACD, Project The Classic turntable with Sumiko blue point #2 cartridge and ifi iphono 2 preamp, dCS network bridge for Roon. Cabling is all Audience Au24 SX. GIK absorber...

Owned a 911S with manual transmission for 2 years. An absolute blast but other priorities so have moved on.